Poole Pottery
Poole Studio Pottery, Delphis range Charger, approximately 14 inches across, in very good condition.
The Paintress mark appears to be that of Carolyn Wills ( Walters) 1972 to 1979. Carolyn painted both Aegean and Delphis patterns. The Poole England stamp on this charger was in use from 1966 to 1980
Most serious collectors of post war Poole would acknowledge that the early sixties was the most creative era in the history of the Pottery. On a national scale this was an era of massive social change born out of a reaction to wartime austerity, drabness and utility design. Beliefs traditions and stereotypes were challenged as music art and design embraced the optimism of a new generation.
The Paintress mark appears to be that of Carolyn Wills ( Walters) 1972 to 1979. Carolyn painted both Aegean and Delphis patterns. The Poole England stamp on this charger was in use from 1966 to 1980
Most serious collectors of post war Poole would acknowledge that the early sixties was the most creative era in the history of the Pottery. On a national scale this was an era of massive social change born out of a reaction to wartime austerity, drabness and utility design. Beliefs traditions and stereotypes were challenged as music art and design embraced the optimism of a new generation.